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Janus/ Roman divinity

Two-headed Roman god of beginnings, the year and the temple doors that were open in war and shut in peace.

Greek name: (no Greek equivalent)
Roman name: Janus

Generated sculpture portrait of Janus
Generated interpretation · Janus with Doorway and Key Motifs

Domains & patronage

Beginnings, including the start of the year; Ovid calls him the origin of the year (Fasti 1.65).

Sacred symbols & animals

Two faces, one looking forward and one back: Ovid calls him two-headed Janus, who alone of the gods sees his own back (Fasti 1.65–66, 1.89–90).

01 · The stories

Myths & defining acts

In Ovid's Fasti, Janus himself explains his double form, his place at the start of the year and his rites (Fasti 1.89–288).

02 · Sacred lineage

Family & relations

Janus is a Roman god without a Greek family tree. Ovid has him speak of the reign of Saturn (Fasti 1.193–194).

Greek literary genealogies and Roman cult identities are not interchangeable. Explore the family tree and its traditions.

03 · Places of devotion

Abode & sacred sites

His temple at the bottom of the Argiletum in Rome, built by Numa according to Livy; and the Janiculum hill, where modern sources place him.

04 · Two traditions

Greek & Roman perspectives

The Greek perspective

Ovid says Greece has no god like him: 'nam tibi par nullum Graecia numen habet' (Fasti 1.90).

The Roman perspective

Livy says Numa built the temple of Janus as an index of peace and war: open, it signified that the nation was in arms; closed, that all the surrounding peoples were at peace (Livy 1.19). Modern reference works record that the Janus Geminus was closed under Numa, once after the First Punic War, three times under Augustus, and once under Nero. Ovid describes the Agonalia, on 9 January, as the day when Janus was to be propitiated (Fasti 1.317–318).

05 · Extensive analysis

A closer reading

Janus is a Roman god without a Greek counterpart: Ovid says so himself. He is tied to beginnings and passages, and in Livy's account his temple doors were opened for war and closed for peace. Ovid opens his calendar poem, the Fasti, with Janus, the god of the first month.

06 · Primary sources

What the sources say

These are the main ancient passages behind this entry, with what each one actually says.

  • Ovid, Fasti book 1, lines 65–66, 89–90 and 193–194

    Ovid addresses two-headed Janus as the origin of the year, who alone of the gods sees his own back; he says Greece has no god like him; and Janus recalls the reign of Saturn.

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  • Ovid, Fasti book 1, lines 317–318

    Janus is to be propitiated on the Agonalia, four days after the Nones, that is, 9 January.

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  • Livy, Ab Urbe Condita book 1, chapter 19

    Numa builds the temple of Janus at the bottom of the Argiletum as an index of peace and war: open when the nation is in arms, closed when all surrounding peoples are at peace.

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  • Wikipedia, Janus, a modern summary section on the doors of the temple

    The Janus Geminus was closed under Numa, once after the First Punic War, three times under Augustus and once by Nero; Janus is also said to be present on the Janiculum.

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07 · Story & deeper insight

Janus and the gates of peace

Ovid stages a conversation with Janus to explain the god's two faces, his precedence in ritual and the gifts exchanged at the beginning of the year. Janus governs passages: an entrance can permit movement or prevent it, and a beginning connects what has ended with what has yet to happen.

The doors associated with his Roman sanctuary were conventionally linked to war and peace, open in wartime and closed when peace was claimed. Closure was an exceptional public statement. It expressed an official view of Rome's condition, rather than a guarantee that violence had disappeared everywhere.

Janus has no straightforward Greek counterpart, and forcing one onto him loses the point of his Roman identity. His double face is not principally a moral emblem of dishonesty. It suits a deity who watches both directions of a threshold. His prominence shows how Roman religion could place an ordinary spatial experience at the foundation of ritual and political time.

Ancient sources & further reading

Explore connected deities